Now that my life revolves around work (and Dr. Pepper), my dreams do as well. Last night's involved this gorgeous home that transformed into the store that was my place of work. I had a girl come in who wanted to try some jeans, and eventually I got to the point of saying, "well, you definitely need a skinny, and a boot cut, AND you can't go wrong with a great flare!" I was pulling everything, and when one didn't work, I knew the next to get.
My product knowledge and the way it permeates my subconscious astounds me. And my desperation for this woman to spend six hundred dollars with me was also telling.
That said, here are the best skinnies, boot cut, and flares, not just for my body type, but I feel ALL body types. It's always hard to generalize across the board, but I've styled a lot of different bodies and these are the three that work for virtually everybody.
In the same day I pulled a 32 for one client and a 24 for another and it looked phenomenal on both. The wash is perfect for dressing up with heels, dressing down with flats, or in between with boots. It has the right amount of stretch and the higher rise makes everybody happy, even those worried about the muffin top. Paige has insane followers, and while I'm not always one, I'm there with this particular piece.
Love me some Hudsons. The pockets sit higher than the pocket on a True Religion, and the detailing isn't obnoxious. I don't know how it does it, but the Hudson flap pocket makes every woman's behind look wonderful. The double button creates a thicker band, which makes for that full-coverage fit in what is often a tough place for women - the hips and lower waist.
Are you not on the flare train yet? I'm going to get you there - promise. For whatever reason only three things get me compliments each and every time I wear them - my Vince Camuto booties, my Mother 70s wash flare, and my Dylan George trouser-cuff flare, and usually I'm wearing one of the two jeans with the booties. I know what you're thinking - we wore them in 1999 with that sick, Paris Blue color. We ALL wore them and we wore them with Doc Martins that you never saw because the opening of the jean massively encompassed the entire shoe. This is not that flare. This is tailored to the knee, and instead it gradually works its way into a gentle flare.
I know what else you're thinking, "only skinny girls without hips can wear flares". Guess what - I've got child-bearing hips AND a butt, and I love them more than I can say. My suggestion to those of you who are concerned about too much bulk is to ALWAYS wear a flare with some sort of a heel. Beauty is pain, and believe me, it will be worth it.
Okay. Back to reality. I couldn't dance in DanceSport this weekend, which was really difficult. I'm that person who cannot just go dance. If I'm going to do it, then I'm going to do it right. For the same reasons I ended my time in pageants, it may be time to say goodbye to dance - I have too much respect for the art form and too much of an ego to let myself simply enter a competition without the appropriate practice and time. And unfortunately, I don't have that time right now. It's been really tough, and sort of culminated in first crying in my dad's arms at work, and then crying to my boss in her office.
For whatever reason God blessed me pretty abundantly with a lot of random capabilities, and I've loved every single one of them. I've written about this "no regrets" thing before, and how it's such a pretty idea, but it's not remotely possible for me. Do I regret not being a ballerina, or a pianist, or a Broadway performer, or an Olympic figure skater, or Miss America, or a ballroom national champion?
Absolutely.
Is that a negative thing?
I'm not certain that it is.
Again, regret doesn't have to be an energy-sucker. What I have to remind myself is that I could not be a Jack-of-all-Trades, but my passion for all of them means I couldn't really be a master-of-one either. What I've realized is the common thread in everything is this concept of unique expression, and as I've gotten older, I've constantly found a new form of this artistic way to communicate. Where I probably differ from a lot of people is that I started really early, and my skill set was more honed at a younger age, but it also means that my resume is filled with all of these crazy experiences that make for better story telling.
And that's where it all finds a home again. Because as much as I love a radio program's setting of back-and-forth-banter, in the end, just me and a computer keyboard and some Christmas tunes (I'm sorry, I tried to wait, but I couldn't do it anymore!) are my grounding force. The above activities formed my discipline, taught me passion, and fostered this enormous contextual reference with which I can draw from creatively.
I'm lucky. I know that. What I'm hoping is that I'm learning to move forward, knowing that the what-ifs will always be there, but instead of being bitter and sad that nothing more came of it, I hope that I can always reflect with pride and satisfaction for what I did in the time that I had with each area of focus.
Constantly In Repair, right?








